George Mason University. Libraries. Special Collections Research Center
Fenwick Library, MS2FL4400 University Dr.
Fairfax, Virginia 22030
Business Number: 703-993-2220
Fax Number: 703-993-8911
speccoll@gmu.edu
URL: https://scrc.gmu.edu
Greta Kuriger Suiter
Administrative Information
Use Restrictions
There are no restrictions.
Access Restrictions
Collection is open to research.
Alternative Form Available
There are also additional documents from this and other GMU FTP collections in the Federal Theatre Project collection.
Preferred Citation note
Eda Edson papers, Collection #C0218, Special Collections and Archives, George Mason University Libraries.
Acquisition Information
Donated by Eda Edson to Special Collections and Archives May 30, 1976.
Processing Information
Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.
Biographical Information
The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.
The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions "Follow the Parade" and "The Black Crook." In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, "Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'" Edson later went on to more conducting work, and in 1953 she authored the short self help guide "The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you."
Scope and Content
The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.
Arrangement
This collection is arranged alphabetically by folder title.
Related Material
The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.
Subjects and Indexing Terms
- Edson, Eda
- Edson, Eda
- Federal Theatre Project (U.S.)
- Music -- 20th century
- New Deal, 1933-1939
- Performing arts
- Theater -- United States
Container List
- Mixed Materials box: 1 folder: 1
Correspondence1960s-1976
- Mixed Materials box: 1 folder: 2
Federal Theatrecirca 1939Scope and Content
Programs for Follow the Parade; copies of correspondence and resignation letter regarding Federal Theatre and Follow the Parade; one page of sheet music; costume design sketch; photocopy of Los Angeles Federal Theatres volume 1 number 1; photocopies of photographs depicting Edson, theatres, and stages.
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Excerpt from Eda Edson oral history interviewMay 30, 1976
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- Mixed Materials box: 1 folder: 3
Follow the Parade1936Scope and Content
Programs for The Black Crook, Follow the Parade, The first performance of the Federal Theatre project staff of W.P.A. region number 5; synopsis of Follow the Parade; production number Crazy House Suite; synopsis for On a Holiday; notes for Follow the Parade; resignation letter.
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Follow the Parade1936
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- Mixed Materials box: 1 folder: 4
Follow the Parade1936Scope and Content
Production notes / script.
- Mixed Materials box: 1 folder: 5
Miscellaneouscirca 1930sScope and Content
Newspaper clippings, advertisements, correspondence about Edson's work before the Federal Theatre Project; Follow the Parade program, telegrams; articles about female conductors; handmade artwork/letters sent to Edson; photocopies of Federal Theatre correspondence regarding Black Crook.
- Mixed Materials box: 1 folder: 6
Oscar materialcirca 1970sScope and Content
Photocopies from unknown publication about Oscar winners; typed notes on Di Maggio, and conductors; eight photographs of movie stars "before and after".
- Mixed Materials box: 1 folder: 7
Photographs,circa 1930sScope and Content
Photographs of Edson; Edson and orchestra; one photograph with cardboard backing of Edson during a performance; one photograph on cardboard backing with unidentified people.
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Eda Edson with orchestra1930s
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- Mixed Materials box: 1 folder: 8
Programscirca 1935-1939Scope and Content
Power; Follow the Parade; The Black Crook; Los Angeles Federal Theatres vol. 1 no. 1.
- Mixed Materials box: 1 folder: 9
Scrapbook pages1930s-1972Scope and Content
Scrapbook pages with newspaper articles, correspondence, and telegrams. One black and white photograph possibly of Edson.
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Telegram from Hallie FlanaganJuly 28, 1936
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Telegram from George Gerwing to Eda EdsonApril 13, 1936
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- Mixed Materials box: 1 folder: 10
Write Dammit!undated; 1976Scope and Content
Newspaper clipping; blank greeting card; note to Edson encouraging her to write.