Guide to the North American 19th century theatre broadside collection, 1850-1867 North American 19th century theatre broadside C0081

Guide to the North American 19th century theatre broadside collection, 1850-1867

A Collection in
Special Collections and Archives
Accession Number COLLECTION NUMBER


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George Mason University Libraries

2006 By George Mason University Libraries. All rights reserved.

Processed by: Special Collections and Archives Staff

Repository
George Mason University. Libraries. Special Collections and Archives.
Collection number
C0081
Title
North American 19th century theatre broadside collection 1850-1867
URL:
http://sca.gmu.edu/finding_aids/
Physical Characteristics
2 linear ft.; 1 box
Creator
George Mason University. Libraries. Special Collections and Archives.
Language
English
Abstract
This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.

Administrative Information

Access Restrictions

There are no access restrictions.

Use Restrictions

There are no restrictions on personal use. Permission to publish material from the North American 19th century theatre broadside collection must be obtained from Special Collections Research Center, George Mason University Libraries.

Preferred Citation

North American 19th century theatre broadside collection, C0081, Special Collections and Archives, George Mason University Libraries.

Acquisition Information

Purchased in 2008.

Processing Information

Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.

Historical Information

Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.

Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.

Scope and Content

This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.

Most of the broadsides measure approximately 7" x 19", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.

Arrangement

Organized mainly by venue. Some single broadsides grouped together.

Series 1: National Theatre of Boston, 1850-1857 (Box 1) Series 2: Boston Museum, 1852-1858 (Box 1) Series 3: Boston Theatre, 1854-1858 (Box 1) Series 4: Howard Anthenaeum, 1851-1857 (Box 1) Series 5: Boston Academy of Music, 1860 (Box 1) Series 6: Canada and New York City, 1855-1867 (Box 1) Series 7: Boston and New York City, 1850s-1860s (Box 1)

Related Material

Special Collections and Archives also holds many other theatre collections.

Index Terms


Adjunct Descriptive Data

Contents List

Series 1: National Theatre of Boston Broadsides,
1850-1857

This series contains six broadsides of performances at the National Theatre of Boston, ranging from 6"x15" to 7"x21".

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Series 2: Boston Museum Broadsides,
1852-1858

This series contains twenty broadsides of performances at the Boston Museum, ranging from 9"x12" to 7"x20".

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Series 3: Boston Theatre,
1854-1858

This series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7"x18" to 6"x24".

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Series 4: Howard Anthenaeum,
1851-1857

This series contains nineteen broadsides of performances at the Howard Anthenauem in Boston, ranging from 7"x12 1/2" to 7 1/2"x20".

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Series 5: Boston Academy of Music,
1860

This series contains one broadside of performances at the Boston Academy of Music, 5 3/4"x11 3/4".

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Series 6: Canada and New York City,
1855-1867

This series contains six broadsides of performances at St John's Dramatic Lyceum in Canada, Mechanic's Institute in New York, Wallack's Theatre in New York, Metropolitan Theatre in New York, Burton's in New York, and Lorimier Hall. Size of broadsides range from 7 1/2"x16 1/2" to 6 1/2"x22 1/2".

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Series 7: Boston and New York City,
1850s-1860s

This series contains four broadsides of performances at City Hall in Boston, Niblo's Garden in New York, and performances by the Kimball Dramatic Association at City Hall in Boston. Size of broadsides range from 5"x8 1/3" to 6 1/2"x14".

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